BOOKS
Nostalgia. Anti-Oedipus Press, 2015.
JOURNAL ARTICLES AND BOOK CHAPTERS
Junker, Christine and Hope Jennings. “Surviving Girlhood: Wild Girls in the Anthropocene.” ISLE: Interdisciplinary Studies in Literature and Environment. (Forthcoming)
“Anthropocene Storytelling: Extinction, D/evolution, and Posthuman Ethics in Lidia Yuknavitch’s The Book of Joan.” LIT: Literature Interpretation Theory, Vol. 30, No. 3, July 2019, pp. 191-210.
“Encounters with the Wilderness: Unsettling Perspective in Margaret Atwood’s The Journals of Susanna Moodie.” Tulsa Studies in Women’s Literature, Vol. 38, No. 1, Spring 2019, pp. 131-152.
“Anthropocene Feminism, Companion Species, and Margaret Atwood’s MaddAddam Trilogy.” Contemporary Women’s Writing, Vol. 13, No. 1, March 2019, pp. 16-33.
Jennings, Hope and Christine Wilson. “Disciplinary Lessons: Myth, Female Desire, and the Monstrous Maternal in Stephenie Meyer’s Twilight Series.” Images of the Modern Vampire: The Hip and the Atavistic (The Universal Vampire Series, Vol. 2). Ed. Barbara Brodman and James E. Doan. Farleigh Dickinson University Press, 2013, pp. 161-173.
“Genesis and Gender: The Word, the Flesh, and the Fortunate Fall in ‘Peter and the Wolf’ and ‘Penetrating to the Heart of the Forest’.” Angela Carter: New Critical Readings. Ed. Lawrence Phillips and Sonya Andermahr. Continuum, 2012, pp. 165-175.
“‘A repeating world’: Redeeming the Past and Future in the Utopian Dystopia of Jeanette Winterson’s The Stone Gods.” Interdisciplinary Humanities, Vol 27, No. 2 , Fall 2010, pp. 132-146.
“The Comic Apocalypse of The Year of the Flood.” Margaret Atwood Studies, Vol. 3, No. 2, August 2010, pp. 11-18.
“The Ethics of Nostalgia in Arundhati Roy’s The God of Small Things.” Journal of Contemporary Literature, Vol. 2, No. 1, January 2010, pp. 177-198.
“Dystopian Matriarchies: Deconstructing the Womb in Angela Carter’s Heroes and Villains and The Passion of New Eve.” Michigan Feminist Studies, Vol. 21, 2008, pp. 63-84.
SHORT FICTION
“The Prologue (To Everything that Came Before).” New Writing Dundee, Vol. 5, 2010, pp. 297-305.
“Fable.” New Writing Dundee, Vol. 3, 2008, pp. 57-59.
OFFICIAL PROCEEDINGS
“Dystopias of Matriarchal Power: Deconstructing the Womb in Angela Carter’s Heroes and Villains and The Passion of New Eve.” Queen’s University Belfast/Quest Postgraduate Conference. Perspectives on Power. 2-3 March 2007. Quest Issue 4 (Summer 2007).
CONFERENCE PAPERS
“Voices from the Wilderness: Post/colonial Trauma, Spectral Witness, and Environmental Apocalypse in Margaret Atwood’s ‘Circe/Mud Poems’ and The Journals of Susanna Moodie.” On Sappho’s Website: Women Poets and Myth in the 20th and 21st Centuries. Universidad Complutense, Madrid. 25-27 April 2017.
“‘Now you are at the place of annihilation’: Apocalypse, Trauma, and Spectrality in Angela Carter’s ‘The Scarlet House’ and Robert Eggers’ The Witch.” Fireworks: The Visual Imagination of Angela Carter. The University of the West of England, Bristol. 9-10 Jan 2017
“Mourning the Motherland: Nostalgia, Trauma, and Displacement in Marguerite Duras and Jean Rhys.” Narratives of Place in Literature, Film, and Folklore. University of Hawai'i at Hilo. 3-4 March, 2016
“‘Form and Flux’: Post/Modern Nostalgia and the Permeable Past in Mary Gaitskill’s Veronica and Jennifer Egan’s A Visit from the Goon Squad.” Contemporary Experimental Women’s Writing Conference. University of Manchester. 12-13 October 2013.
“Borderline Writing: Modernism and the Great (Sex) War in Songs to Joannes.” The European Society for the Study of English 10th International Conference (ESSE 10). Seminar 19: Mina Loy across the Arts. Turin, Italy. 24-28 August 2010.
“Origins of Difference: Genesis, Gender and the Female Flesh in ‘Penetrating to the Heart of the Forest’.” Angela Carter: Critical Explorations. University of Northampton. 6 June 2009.
“The Subject is Not Her/Self: Diane Arbus and the Art of Evasion.” InVisibilities: Absence and Presence in Cultural Texts and Images. University of Dundee. 4 June 2007.
INVITED PRESENTATIONS
“Women’s History as Patchwork in Margaret Atwood’s Alias Grace.” Annual Women, Gender, and Sexuality Studies Quilt Show. Wright State University-Dayton. Pre-Show Lecture, 17 Nov 2016 and Keynote Lecture, 19 Jan 2017.
“Perspectives on Trauma and Gender.” Annual Women’s Center Dialogue on Gender Justice. Wright State University-Dayton, 25 Oct 2016.
“Apocalypse and the Feminist Imagination.” English Department Pop-up Colloquium. Wright State University, 28 March 2014.
“Motherhood, Pregnancy, and Reproductive Politics in the Paranormal Romance” (Workshop). Co-Facilitator: Christine Wilson. Race, Class, Gender, Sexuality Symposium. Miami University. Oxford, OH. 1 February 2013.
“Myth and the Monstrous Maternal in Stephenie Meyer’s Twilight Series.” Co-presenter: Christine Wilson. Faculty Seminar Presentation. Wright State University Lake Campus, 26 February 2010.
WORKS IN PROGRESS
Only Skin (Fiction)
Apocalypse and the Archive (Monograph)
Wilderness Hauntings, Co-author: Christine Junker (Monograph)
Nostalgia. Anti-Oedipus Press, 2015.
JOURNAL ARTICLES AND BOOK CHAPTERS
Junker, Christine and Hope Jennings. “Surviving Girlhood: Wild Girls in the Anthropocene.” ISLE: Interdisciplinary Studies in Literature and Environment. (Forthcoming)
“Anthropocene Storytelling: Extinction, D/evolution, and Posthuman Ethics in Lidia Yuknavitch’s The Book of Joan.” LIT: Literature Interpretation Theory, Vol. 30, No. 3, July 2019, pp. 191-210.
“Encounters with the Wilderness: Unsettling Perspective in Margaret Atwood’s The Journals of Susanna Moodie.” Tulsa Studies in Women’s Literature, Vol. 38, No. 1, Spring 2019, pp. 131-152.
“Anthropocene Feminism, Companion Species, and Margaret Atwood’s MaddAddam Trilogy.” Contemporary Women’s Writing, Vol. 13, No. 1, March 2019, pp. 16-33.
Jennings, Hope and Christine Wilson. “Disciplinary Lessons: Myth, Female Desire, and the Monstrous Maternal in Stephenie Meyer’s Twilight Series.” Images of the Modern Vampire: The Hip and the Atavistic (The Universal Vampire Series, Vol. 2). Ed. Barbara Brodman and James E. Doan. Farleigh Dickinson University Press, 2013, pp. 161-173.
“Genesis and Gender: The Word, the Flesh, and the Fortunate Fall in ‘Peter and the Wolf’ and ‘Penetrating to the Heart of the Forest’.” Angela Carter: New Critical Readings. Ed. Lawrence Phillips and Sonya Andermahr. Continuum, 2012, pp. 165-175.
“‘A repeating world’: Redeeming the Past and Future in the Utopian Dystopia of Jeanette Winterson’s The Stone Gods.” Interdisciplinary Humanities, Vol 27, No. 2 , Fall 2010, pp. 132-146.
“The Comic Apocalypse of The Year of the Flood.” Margaret Atwood Studies, Vol. 3, No. 2, August 2010, pp. 11-18.
“The Ethics of Nostalgia in Arundhati Roy’s The God of Small Things.” Journal of Contemporary Literature, Vol. 2, No. 1, January 2010, pp. 177-198.
“Dystopian Matriarchies: Deconstructing the Womb in Angela Carter’s Heroes and Villains and The Passion of New Eve.” Michigan Feminist Studies, Vol. 21, 2008, pp. 63-84.
SHORT FICTION
“The Prologue (To Everything that Came Before).” New Writing Dundee, Vol. 5, 2010, pp. 297-305.
“Fable.” New Writing Dundee, Vol. 3, 2008, pp. 57-59.
OFFICIAL PROCEEDINGS
“Dystopias of Matriarchal Power: Deconstructing the Womb in Angela Carter’s Heroes and Villains and The Passion of New Eve.” Queen’s University Belfast/Quest Postgraduate Conference. Perspectives on Power. 2-3 March 2007. Quest Issue 4 (Summer 2007).
CONFERENCE PAPERS
“Voices from the Wilderness: Post/colonial Trauma, Spectral Witness, and Environmental Apocalypse in Margaret Atwood’s ‘Circe/Mud Poems’ and The Journals of Susanna Moodie.” On Sappho’s Website: Women Poets and Myth in the 20th and 21st Centuries. Universidad Complutense, Madrid. 25-27 April 2017.
“‘Now you are at the place of annihilation’: Apocalypse, Trauma, and Spectrality in Angela Carter’s ‘The Scarlet House’ and Robert Eggers’ The Witch.” Fireworks: The Visual Imagination of Angela Carter. The University of the West of England, Bristol. 9-10 Jan 2017
“Mourning the Motherland: Nostalgia, Trauma, and Displacement in Marguerite Duras and Jean Rhys.” Narratives of Place in Literature, Film, and Folklore. University of Hawai'i at Hilo. 3-4 March, 2016
“‘Form and Flux’: Post/Modern Nostalgia and the Permeable Past in Mary Gaitskill’s Veronica and Jennifer Egan’s A Visit from the Goon Squad.” Contemporary Experimental Women’s Writing Conference. University of Manchester. 12-13 October 2013.
“Borderline Writing: Modernism and the Great (Sex) War in Songs to Joannes.” The European Society for the Study of English 10th International Conference (ESSE 10). Seminar 19: Mina Loy across the Arts. Turin, Italy. 24-28 August 2010.
“Origins of Difference: Genesis, Gender and the Female Flesh in ‘Penetrating to the Heart of the Forest’.” Angela Carter: Critical Explorations. University of Northampton. 6 June 2009.
“The Subject is Not Her/Self: Diane Arbus and the Art of Evasion.” InVisibilities: Absence and Presence in Cultural Texts and Images. University of Dundee. 4 June 2007.
INVITED PRESENTATIONS
“Women’s History as Patchwork in Margaret Atwood’s Alias Grace.” Annual Women, Gender, and Sexuality Studies Quilt Show. Wright State University-Dayton. Pre-Show Lecture, 17 Nov 2016 and Keynote Lecture, 19 Jan 2017.
“Perspectives on Trauma and Gender.” Annual Women’s Center Dialogue on Gender Justice. Wright State University-Dayton, 25 Oct 2016.
“Apocalypse and the Feminist Imagination.” English Department Pop-up Colloquium. Wright State University, 28 March 2014.
“Motherhood, Pregnancy, and Reproductive Politics in the Paranormal Romance” (Workshop). Co-Facilitator: Christine Wilson. Race, Class, Gender, Sexuality Symposium. Miami University. Oxford, OH. 1 February 2013.
“Myth and the Monstrous Maternal in Stephenie Meyer’s Twilight Series.” Co-presenter: Christine Wilson. Faculty Seminar Presentation. Wright State University Lake Campus, 26 February 2010.
WORKS IN PROGRESS
Only Skin (Fiction)
Apocalypse and the Archive (Monograph)
Wilderness Hauntings, Co-author: Christine Junker (Monograph)