BOOKS
Nostalgia. Anti-Oedipus Press, 2015.
JOURNAL ARTICLES AND BOOK CHAPTERS
“‘Now You Are at the Place of Annihilation’: Angela Carter’s Posthuman Politics.” Angela Carter's Futures: Representations, Adaptations and Legacies, eds. Sarah Gamble and Anna Watz. Bloomsbury. (In Press)
Jennings, Hope and Christine Junker. “Myths of Wilderness and Motherhood in Post-Apocalyptic Narratives of the Anthropocene.” Myth and Environmentalism: Arts of Resilience for a Damaged Planet, edited by Esther Sánchez-Pardo and Maria Porras-Sánchez. Explorations in Environmental Studies, Routledge, 2023, pp. 63-82.
Junker, Christine and Hope Jennings. “Surviving Girlhood: Wild Girls in the Anthropocene.” ISLE: Interdisciplinary Studies in Literature and Environment, Volume 29, Issue 3, Fall 2022, pp. 680–705, https://doi.org/10.1093/isle/isaa127.
“Anthropocene Storytelling: Extinction, D/evolution, and Posthuman Ethics in Lidia Yuknavitch’s The Book of Joan.” LIT: Literature Interpretation Theory, Vol. 30, No. 3, July 2019, pp. 191-210.
“Encounters with the Wilderness: Unsettling Perspective in Margaret Atwood’s The Journals of Susanna Moodie.” Tulsa Studies in Women’s Literature, Vol. 38, No. 1, Spring 2019, pp. 131-152.
“Anthropocene Feminism, Companion Species, and Margaret Atwood’s MaddAddam Trilogy.” Contemporary Women’s Writing, Vol. 13, No. 1, March 2019, pp. 16-33.
Jennings, Hope and Christine Wilson. “Disciplinary Lessons: Myth, Female Desire, and the Monstrous Maternal in Stephenie Meyer’s Twilight Series.” Images of the Modern Vampire: The Hip and the Atavistic (The Universal Vampire Series, Vol. 2). Ed. Barbara Brodman and James E. Doan. Farleigh Dickinson University Press, 2013, pp. 161-173.
“Genesis and Gender: The Word, the Flesh, and the Fortunate Fall in ‘Peter and the Wolf’ and ‘Penetrating to the Heart of the Forest’.” Angela Carter: New Critical Readings. Ed. Lawrence Phillips and Sonya Andermahr. Continuum, 2012, pp. 165-175.
“‘A repeating world’: Redeeming the Past and Future in the Utopian Dystopia of Jeanette Winterson’s The Stone Gods.” Interdisciplinary Humanities, Vol 27, No. 2 , Fall 2010, pp. 132-146.
“The Comic Apocalypse of The Year of the Flood.” Margaret Atwood Studies, Vol. 3, No. 2, August 2010, pp. 11-18.
“The Ethics of Nostalgia in Arundhati Roy’s The God of Small Things.” Journal of Contemporary Literature, Vol. 2, No. 1, January 2010, pp. 177-198.
“Dystopian Matriarchies: Deconstructing the Womb in Angela Carter’s Heroes and Villains and The Passion of New Eve.” Michigan Feminist Studies, Vol. 21, 2008, pp. 63-84.
SHORT FICTION
“The Prologue (To Everything that Came Before).” New Writing Dundee, Vol. 5, 2010, pp. 297-305.
“Fable.” New Writing Dundee, Vol. 3, 2008, pp. 57-59.
OFFICIAL PROCEEDINGS
“Dystopias of Matriarchal Power: Deconstructing the Womb in Angela Carter’s Heroes and Villains and The Passion of New Eve.” Queen’s University Belfast/Quest Postgraduate Conference. Perspectives on Power. 2-3 March 2007. Quest Issue 4 (Summer 2007).
CONFERENCE PAPERS
“Voices from the Wilderness: Post/colonial Trauma, Spectral Witness, and Environmental Apocalypse in Margaret Atwood’s ‘Circe/Mud Poems’ and The Journals of Susanna Moodie.” On Sappho’s Website: Women Poets and Myth in the 20th and 21st Centuries. Universidad Complutense, Madrid. 25-27 April 2017.
“‘Now you are at the place of annihilation’: Apocalypse, Trauma, and Spectrality in Angela Carter’s ‘The Scarlet House’ and Robert Eggers’ The Witch.” Fireworks: The Visual Imagination of Angela Carter. The University of the West of England, Bristol. 9-10 Jan 2017
“Mourning the Motherland: Nostalgia, Trauma, and Displacement in Marguerite Duras and Jean Rhys.” Narratives of Place in Literature, Film, and Folklore. University of Hawai'i at Hilo. 3-4 March, 2016
“‘Form and Flux’: Post/Modern Nostalgia and the Permeable Past in Mary Gaitskill’s Veronica and Jennifer Egan’s A Visit from the Goon Squad.” Contemporary Experimental Women’s Writing Conference. University of Manchester. 12-13 October 2013.
“Borderline Writing: Modernism and the Great (Sex) War in Songs to Joannes.” The European Society for the Study of English 10th International Conference (ESSE 10). Seminar 19: Mina Loy across the Arts. Turin, Italy. 24-28 August 2010.
“Origins of Difference: Genesis, Gender and the Female Flesh in ‘Penetrating to the Heart of the Forest’.” Angela Carter: Critical Explorations. University of Northampton. 6 June 2009.
“The Subject is Not Her/Self: Diane Arbus and the Art of Evasion.” InVisibilities: Absence and Presence in Cultural Texts and Images. University of Dundee. 4 June 2007.
INVITED PRESENTATIONS
“Women’s History as Patchwork in Margaret Atwood’s Alias Grace.” Annual Women, Gender, and Sexuality Studies Quilt Show. Wright State University-Dayton. Pre-Show Lecture, 17 Nov 2016 and Keynote Lecture, 19 Jan 2017.
“Perspectives on Trauma and Gender.” Annual Women’s Center Dialogue on Gender Justice. Wright State University-Dayton, 25 Oct 2016.
“Apocalypse and the Feminist Imagination.” English Department Pop-up Colloquium. Wright State University, 28 March 2014.
“Motherhood, Pregnancy, and Reproductive Politics in the Paranormal Romance” (Workshop). Co-Facilitator: Christine Wilson. Race, Class, Gender, Sexuality Symposium. Miami University. Oxford, OH. 1 February 2013.
“Myth and the Monstrous Maternal in Stephenie Meyer’s Twilight Series.” Co-presenter: Christine Wilson. Faculty Seminar Presentation. Wright State University Lake Campus, 26 February 2010.
WORKS IN PROGRESS
Only Skin (Fiction)
"Species Loneliness and Ecological Grief in the Fiction of Lydia Millett, Charlotte McConaghy, and Octavia Cade" (article, with Christine Junker)
Nostalgia. Anti-Oedipus Press, 2015.
JOURNAL ARTICLES AND BOOK CHAPTERS
“‘Now You Are at the Place of Annihilation’: Angela Carter’s Posthuman Politics.” Angela Carter's Futures: Representations, Adaptations and Legacies, eds. Sarah Gamble and Anna Watz. Bloomsbury. (In Press)
Jennings, Hope and Christine Junker. “Myths of Wilderness and Motherhood in Post-Apocalyptic Narratives of the Anthropocene.” Myth and Environmentalism: Arts of Resilience for a Damaged Planet, edited by Esther Sánchez-Pardo and Maria Porras-Sánchez. Explorations in Environmental Studies, Routledge, 2023, pp. 63-82.
Junker, Christine and Hope Jennings. “Surviving Girlhood: Wild Girls in the Anthropocene.” ISLE: Interdisciplinary Studies in Literature and Environment, Volume 29, Issue 3, Fall 2022, pp. 680–705, https://doi.org/10.1093/isle/isaa127.
“Anthropocene Storytelling: Extinction, D/evolution, and Posthuman Ethics in Lidia Yuknavitch’s The Book of Joan.” LIT: Literature Interpretation Theory, Vol. 30, No. 3, July 2019, pp. 191-210.
“Encounters with the Wilderness: Unsettling Perspective in Margaret Atwood’s The Journals of Susanna Moodie.” Tulsa Studies in Women’s Literature, Vol. 38, No. 1, Spring 2019, pp. 131-152.
“Anthropocene Feminism, Companion Species, and Margaret Atwood’s MaddAddam Trilogy.” Contemporary Women’s Writing, Vol. 13, No. 1, March 2019, pp. 16-33.
Jennings, Hope and Christine Wilson. “Disciplinary Lessons: Myth, Female Desire, and the Monstrous Maternal in Stephenie Meyer’s Twilight Series.” Images of the Modern Vampire: The Hip and the Atavistic (The Universal Vampire Series, Vol. 2). Ed. Barbara Brodman and James E. Doan. Farleigh Dickinson University Press, 2013, pp. 161-173.
“Genesis and Gender: The Word, the Flesh, and the Fortunate Fall in ‘Peter and the Wolf’ and ‘Penetrating to the Heart of the Forest’.” Angela Carter: New Critical Readings. Ed. Lawrence Phillips and Sonya Andermahr. Continuum, 2012, pp. 165-175.
“‘A repeating world’: Redeeming the Past and Future in the Utopian Dystopia of Jeanette Winterson’s The Stone Gods.” Interdisciplinary Humanities, Vol 27, No. 2 , Fall 2010, pp. 132-146.
“The Comic Apocalypse of The Year of the Flood.” Margaret Atwood Studies, Vol. 3, No. 2, August 2010, pp. 11-18.
“The Ethics of Nostalgia in Arundhati Roy’s The God of Small Things.” Journal of Contemporary Literature, Vol. 2, No. 1, January 2010, pp. 177-198.
“Dystopian Matriarchies: Deconstructing the Womb in Angela Carter’s Heroes and Villains and The Passion of New Eve.” Michigan Feminist Studies, Vol. 21, 2008, pp. 63-84.
SHORT FICTION
“The Prologue (To Everything that Came Before).” New Writing Dundee, Vol. 5, 2010, pp. 297-305.
“Fable.” New Writing Dundee, Vol. 3, 2008, pp. 57-59.
OFFICIAL PROCEEDINGS
“Dystopias of Matriarchal Power: Deconstructing the Womb in Angela Carter’s Heroes and Villains and The Passion of New Eve.” Queen’s University Belfast/Quest Postgraduate Conference. Perspectives on Power. 2-3 March 2007. Quest Issue 4 (Summer 2007).
CONFERENCE PAPERS
“Voices from the Wilderness: Post/colonial Trauma, Spectral Witness, and Environmental Apocalypse in Margaret Atwood’s ‘Circe/Mud Poems’ and The Journals of Susanna Moodie.” On Sappho’s Website: Women Poets and Myth in the 20th and 21st Centuries. Universidad Complutense, Madrid. 25-27 April 2017.
“‘Now you are at the place of annihilation’: Apocalypse, Trauma, and Spectrality in Angela Carter’s ‘The Scarlet House’ and Robert Eggers’ The Witch.” Fireworks: The Visual Imagination of Angela Carter. The University of the West of England, Bristol. 9-10 Jan 2017
“Mourning the Motherland: Nostalgia, Trauma, and Displacement in Marguerite Duras and Jean Rhys.” Narratives of Place in Literature, Film, and Folklore. University of Hawai'i at Hilo. 3-4 March, 2016
“‘Form and Flux’: Post/Modern Nostalgia and the Permeable Past in Mary Gaitskill’s Veronica and Jennifer Egan’s A Visit from the Goon Squad.” Contemporary Experimental Women’s Writing Conference. University of Manchester. 12-13 October 2013.
“Borderline Writing: Modernism and the Great (Sex) War in Songs to Joannes.” The European Society for the Study of English 10th International Conference (ESSE 10). Seminar 19: Mina Loy across the Arts. Turin, Italy. 24-28 August 2010.
“Origins of Difference: Genesis, Gender and the Female Flesh in ‘Penetrating to the Heart of the Forest’.” Angela Carter: Critical Explorations. University of Northampton. 6 June 2009.
“The Subject is Not Her/Self: Diane Arbus and the Art of Evasion.” InVisibilities: Absence and Presence in Cultural Texts and Images. University of Dundee. 4 June 2007.
INVITED PRESENTATIONS
“Women’s History as Patchwork in Margaret Atwood’s Alias Grace.” Annual Women, Gender, and Sexuality Studies Quilt Show. Wright State University-Dayton. Pre-Show Lecture, 17 Nov 2016 and Keynote Lecture, 19 Jan 2017.
“Perspectives on Trauma and Gender.” Annual Women’s Center Dialogue on Gender Justice. Wright State University-Dayton, 25 Oct 2016.
“Apocalypse and the Feminist Imagination.” English Department Pop-up Colloquium. Wright State University, 28 March 2014.
“Motherhood, Pregnancy, and Reproductive Politics in the Paranormal Romance” (Workshop). Co-Facilitator: Christine Wilson. Race, Class, Gender, Sexuality Symposium. Miami University. Oxford, OH. 1 February 2013.
“Myth and the Monstrous Maternal in Stephenie Meyer’s Twilight Series.” Co-presenter: Christine Wilson. Faculty Seminar Presentation. Wright State University Lake Campus, 26 February 2010.
WORKS IN PROGRESS
Only Skin (Fiction)
"Species Loneliness and Ecological Grief in the Fiction of Lydia Millett, Charlotte McConaghy, and Octavia Cade" (article, with Christine Junker)
